nedelja, 2. maj 2010

Under the Dark Soil News (Transylvania & Dopamine)

Soil 002: Transylvania (Can) - "As The Wicked Prosper" Demo Tape
- The second audial assault from Canada's Transylvania. 4 brand new tracks in around 20 minutes time. More aggressive sounding atheistic Black fuckin' Metal in its purest form imbued with unhallowed shockwaves.
http://www.myspace.com/transylvaniamusic


Soil 003: Dopamine (Chn) - "Dopamine" Demo Tape
- The first demo from this mysterious duo now available, presenting two instrumental tracks of Post Black Metal art with magnificent musicality. While lost in the misty land over the other end, who can find the way out in the labyrinth constructed in the mental isolation? Explore it using your ultimate senses.
http://www.myspace.com/dopaminecn


There was a problem occurred in the production process of the Dopamine tape, leading to the inserts being blurred. A new cover has now been printed and should come back in a few days. Customers who order the Dopamine demo tape shall receive both old/new cover inserts.


Website: www.underthedarksoil.org
Email: underthedarksoil@yahoo.co.uk

Black Funeral - Empire of Blood rerelease



Black Funeral - "Empire of Blood" CD

Vampyric, medieval, dark & oppressive Black Metal from this cult U.S horde!
"Empire of Blood" was recorded between 1995 - 1997 and features a majority of rerecorded material from the "Vampyr - Throne of the Beast" album. This is an album to define cult Black Metal, to reinaugurate the obscure feeling of power and strength. This is designed to take the spirit into a medieval realm of ancient graves, castles and vampyric ghosts, its spells weaving webs of darkness through the shadow side.
Official rerelease.


Now taking pre-orders (wholesale pre-orders welcome to).

Sample: http://darkadversary.com/blackfuneral-bathoryincarnate.mp3

Out soon through: www.darkadversary.com

Mutiilation - Remains of a Ruined, Dead, Cursed Soul


Mutiilation - "Remains of a Ruined, Dead, Cursed Soul" CD

Dirty, rotten, vile and melancholic black metal from this french cult! Finally this cult iconic piece of the Black Metal underground is officially rereleased!
The first part of this release are tracks from the "Evil, the Gestalt of Abomination" demo from 1993 which never saw the light of day, the later part of the release is from 1996, following "Vampires of Black Imperial Blood".
This is a reflection of the dark past, a travel through sadness, hate and depression and the remains of a ruined, dead, cursed soul...

CD out SOON!

Now taking pre-orders (wholesale pre-orders welcome to).

www.darkadversary.com

nedelja, 4. april 2010

KOZELJNIK interview

http://www.paranoidopenair.com/cms/data/upimages/kozeljnik-logo.jpg

Hails Kozeljnik! You are mostly known as the guitarist and mastermind behind The Stone and May Result for many years now. When, how and why you decided to create this solo project of yours?

L.G.: This is full-time band Kozeljnik and L.G. started doing few years ago. An idea itself differs from what the two of us are doing in our other bands. Half of the lyrics and some music for debut album were written even before the whole thing began to unfold. It's more personal thing than any of the mentioned. Expect a lot of things to shape from this.



What does Kozeljnik mean and why did you choose this name?
L.G.: It's a Name for ancient divinatory that once lived along the east European soil, though mostly where Serbia lies nowadays. They predicted human destiny by observing the entrails of the dead goats. Has a rather prophetic note to it and is ancient as hell. So is our message.


In 2007 you released the Wrecked in Ruins of Solitude EP and a year later your debut full length Sigil Rust. Can you describe both with your words and tell us what do you think are the main differences between the first and second release? Tell us when were the songs written and when recorded. What label released it and where can we get a copy of each? How do you think the album was received and are you still satisfied with it in 2010?
L.G.: Well, this EP was released only on tape format so far, via Spiritual WarArt Productions from Turkey, though some copies have errors concerning the sound (made by label itself). It also included rehearsal version of some tunes later found on our debut "Sigil Rust". Later, we've made this contract with Diabolist Services from Washington NJ and are expecting another release of this recording on 7" gatefold vinyl. Sure, our sound went much farther lately when compared to the one we had on this EP, but it still sounds very strong and obscure and we're definitely proud of it. "Sigil Rust", released in '08, was a step forth at the moment and is a debut we couldn't be more pleased to have. 5 of our songs (+ cover of Dodheimsgard) played in mid-paced to fast sections, with cold and brutal message to it and a true mark of Kozeljnik scarred for years to come. Next material will be a surprise on its own and should be out in couple of months, so I won't say much at the moment.


What is the main theme in your lyrics? Does Kozeljnik stand behind any specific philosophy? The Stone are known for their use of Serbian language on every record, however for Kozeljnik you decided to use English. How come?
L.G.: We wrote our first lyrics in English, don't know why, but it came somehow natural to us. Further on, when we discovered the actual sound of those tunes on our first rehearsals, we simply chose to go with that from then on. We won't avoid the use of our mother-tongue if it comes along the way, neither. Our lyrics are the presentation of one's hidden psyche, the one that is ever-endeavoring in seeking the path to the utter Black, the one that invocates the Upheaval of diabolic sphere, in darkness and light omnipresent. Final and complete reversal of the Known.
http://www.paranoidopenair.com/cms/data/upimages/kozeljnik-band.jpg


What is the cover art on Sigil Rust representing?
L.G.: It marks the Root, present-thereafter and NEVERENDING: for those who are willing to Observe. Old and ever-growing seed of the True Beneath, Devil's all-consuming breath to embrace all flesh and thought.


Should be Kozeljnik treated like a real band or is it just a project for you?
L.G.: This is dead serious full-time band.


Can Black metal exist outside of Satanism? What is your opinion? Can acts of Black Metal exist only in music or does its meaning manifest beyond Black Metal's music, ideology and image?
L.G.: It's individual enough to get out of any common and typical way of thinking, behaving, reasoning and in the end: living the Thing. In certain cases, it will leave the mark for as long as our culture goes, sometimes it simply disappears after the Thought. This is extremely individual and not many of those (supposedly involved with this extremity) have the gift to Create and Convince. Many of them have even been active for too long and one day simply left everything behind as nothing ever happened. The term you used in your first question is not really embraced by many or is being simulated to fill the needs of the very moment they are found in. Kozeljnik in S.A.T.A.N. breathes this guidance that voids all things of the obvious, material and orthodox... a path that leads our inner thought towards the time's oblivion and reversal of this current. Where darkness spreads with aura in all ways, desolate, continuous and never-ending.



Underground... Is it only an empty phrase or does it really exists in your opinion?
L.G.: It actually meant something couple of decades ago, but nowadays it doesn't get much farther from being a common simple phrase.



What are your future plans? Can we expect the follow up to your debut full length?
L.G.: Final mixing of the 6 new tracks for our second full-length album "Deeper the Fall" is being done as we speak. In December '09 we agreed this release with Paragon Records from New York. They've been very cooperative and I think the album will be released in June this year. If your way gets you anywhere near Berlin (Germany) this summer, don't miss our performance on Under the Black Sun Festival in July. The sound of the album will be a bit of the surprise, diverse, innovative and tasty, but I won't reveal anything about it yet.

http://www.thestonehorde.com/images/band/lg.jpg
This concludes the interview. Any last words?
L.G.: Thanks for doing the interview, we appreciate it a lot. Our web design is still in progress, but will be done soon with completely new look. All the news will be posted there, as well as all the vital information about the band, lyrics, samples of our works etc. I encourage all to check our future "Deeper the Fall" album (out in June).

petek, 8. januar 2010

UNDERGANG "Indhentet af døden"

"Indhentet af døden" a 7 track promo tape by UNDERGANG limited to 100 copies is out now.
For fans of rotten old school Death Metal......

contact - undergang666@care2.com

Samomor - Somnus Stellae (EP) out now!

ponedeljek, 4. januar 2010

SAMOMOR interview



When, why and how was Samomor created? Who are the persons behind this name? Is this your first venture in the underground or were members of Samomor previously in other bands?


Samomor started at the end of 2008, although there were some thoughts and (intoxicated) rehearsals years before. Priorities had to be set and finally the self destruction could begin in a proper way. There are no names at all! This elite project has to be known for its music and its messages rather than the mortals hidden behind it.

It's not long since your first release saw the disgusting light of the day. We are talking about the Somnus Stellae EP. When was the EP recorded and what have been the reactions so far. Are you satisfied with the result?

This EP was just an egocentric necessity to see the physical reproduction of what has been created so far after few rehearsals. The whole thing was produced in September 2009 and it came out exactly the way it was ment to be, therefore I am very pleased with it. The rest is totally insignificant.


Which label released it and how can people get a copy of it?

Somnus Stellae was self-recorded and self-financed by creating our own label, which is a genuine start to realize everything without any compromise. Mankind can get it through local distributors or should write directly to Samomor.


Does Samomor stand behind any specific philosophy? What is the main theme in your lyrics? Is there a red line or a concept running through the lyrics on Somnus Stellae? Is there a message you would like to deliver?

Samomor praises solitude, misanthropy and death which are the only possibility to deepen yourself into your miserable existence and finally fulfill it. Somnus Stellae is mainly about Lucifer’s fall and His coming Rise, yet the message is incorporated in other thoughts I share in the lyrics. We must all die to see Him gloriously arise again!


Does any member of the band participate in any other project beside Samomor?

Everyone who is or was involved with Samomor played and still plays in more or less renowned bands/projects which are not worthy to be mentioned here.

The packaging of the EP is really good looking but does not hold a lot of information. Where can people find out more about the band?

What you hold in your hands contains enough information someone needs to know at the moment. Everything should be unveiled at the right time. Still I believe the message and the music are more important than the force that creates them.


Can Black metal exist outside of Satanism? What is your opinion?

I believe Black metal is strictly related to Satanism for it is one of its creative expressions to spread His name. Everything else without a satanic essence can be described however you want it but not as Black metal. No servant can truly serve more than one Master!


When does man's life end? Is death the final thing or do you believe in life after death?

Life is just a limited amount of time we are given to manage our will.


What does the following mean to you: DEATH – end of an enjoyable game
MISANTHROPY – individual supremacy over mass-ignorance
BLACK METAL – a creative way to spread Satan's presence
SUICIDE – fulfilment of the Self
EVIL – just a silly christian word used to describe what is against their expectations
GOD – a meaningless force which loses power and should have no followers at all
SATAN – the One who will unmask the deception

What does the future hold for Samomor? New releases? Live gigs? Merchandise?

There is no need to play live at the moment, yet this will not stop the existence nor the creativeness of Samomor. A powerful split LP should strike at weak ears very soon and maybe some shirts will be printed…thus you will be able to show how much you love and enjoy life.


Okay that’s it. Please close this interview with telling us where can people get your merchandise, how can they contact you? You can also send death treats to whoever you want, the final words are yours.

somnusstellae@gmail.com and life shall be no more!

sreda, 16. december 2009

MGLA - Presence

http://www.blackmetal.com/scans0206/mgla_presence.jpg
Let me ask you this… If you would combine Darkthrone and Deathspell Omega, what would you get? Most of you will say: »Old works of Deathspell Omega.« Well, no. For old works of Deathspell Omega WERE in fact Darkthrone. But what will follow now, is something quite new.

Mgła's EP entitled PRESENCE was released through Northern Heritage in 2006. And it is in fact a so called crossbreed betwen the bands that are mentioned above. Yet M., who is the man behind Mgła, takes it to a whole new level. All three songs that this EP contains are named Presence I, II and III (Draco Sit Mihi Dux, anyone?). The beginning starts simple. Guitar chords with bass drum. Nothing special one would think. But at 0:57 seconds in, a long tremolo riff kicks in and sets the right mood. The vocals start to blaspheme ears of the listener with it's rotten vocals about fall of man, as the EP cover shows. With great riffs and all types of drumming the song progresses into the second part. This one is the quite opposition of the first song in the beginning. It is a straight-forward agressive start with blastbeats. Though nothing much changes. It is hard to write about the impact that this short but strong EP makes on the listener. The most simple way is to roughly describe it with the first verses of Presence III:

Follow the wounds,
enter the self-inflicted gateway
Let the Devil come through

It is always great to see a band to release material and always keep the hype at the same high level. Especially if that particular band stays loyal to the bit of Black Metal.

petek, 27. november 2009

DARK FUNERAL - Angelus Exuro pro Eternus

http://www.britof.net/zine/wp-content/gallery/novice/darkfuneral.jpg
Supposingly the saying goes that to change something a little, never hurts anybody… Unless that change means to rape the ''dogmatic'' axioms of Black Metal. So as Luziferion is not meant to be taken as some kind of a news zine to show what is going on in the Black Metal world (you have countless zines already for that), but more like to guide in what really is qualified Black Metal in it's purest form, that is so rare to find nowadays. However to be just ignoring the stupidity of what pretends to be Black Metal, could be the best choice, only to stock up the anger and frustration that is within one's inner sides. And eventually at some point… It will fucking ignite and set on fire all around. Thus in the case of this specific choice, it will be pointed out, rather than what to listen, what NOT to listen – though it's already obvious, but just for the fucking sake of it. So here it goes…

Dark Funeral… Where to begin… I will admit that I used to be a fan (or at least something like that). I liked the album Secrets Of The Black Arts, because it was the pinnacle of Black Metal for me at the time; the time when those around me thought that Cradle Of Filth are Black Metal that deal with Devil worship. Sorrounded by retards, what else is new… And as the time passed, I have matured in visions of what Black Metal really is, was and will be and came to a conclusion that Dark Funeral are not in these circles of Black Metal. Just to be sure, they have to prove themselves again and again how they do not fit in. In reality. In their own world maybe, they are the kings of ineffable darkness.

So now they have offered us an album entitled Angelus Exuro Pro Eternus, which again like the last one, filled with grammar mistakes. They meant to have the title translated Burning Angels For Eternity. So for the foreplay: The latin plural of an angel is angeli. You can already guess where this will go.

Before going on the album itself, let us look on the cover and songtitles itself. The cover shows… you guessed it… SATAN, yeah!!! Drawn in a piss-poor style of H.R. Giger. All it needs is some phallic resemblence.

As for the songs, I will be kind enough to write down my first impressions of what I thought as I saw these song titles. So here we go:

The End of Human Race – If you wish upon an end, how the fuck will you get your master satanic race then?

The Birth of The Vampiir – Misspelling? Or for fuck's sake I hope it is not for rhyming purpouses.

Stigmata - Il mesengero non e' importante. l'importante e' il messaggio, che questo album fa cagare.

My Funeral – Just read the fucking warning in the beginning of the video (about band not supporting death, suicide or violence).

Angelus Exuro pro Eternus – Mention I before this title not be right.

Demons of Five – This little demon went to market. This little demon went home…

Declaration of Hate – My thoughts on this album exactly.

In My Dreams – Wig Wam cover?

My Latex Queen – Because every album must have a song about fucking. And why latex instead of real leather? Don't want to upset pETA, like the PC ''Black Metal'' you are?

So now on the music itself. I read somewhere that this album is their most powerful, technical
and varied album to date. And while still being true to their roots. Varied? It all fucking sounds the same. And it has been so for the last three or four albums. Technical? Here the stereotype that metal is just 3 chords reaches it's highest point. Powerful? Speed does not add up for something to be powerful.

For the grand opening, we get a… drum fart. And then it starts on and on and on with monotnous riffs, blastbeats that are just about speed and not feeling and annoying vocals. Now there will definately be some idiots out there that will cry: »But this is their trademark sound…« No assholes. Trademark sound means that they can do anything that will sound like the band that performs it – like Iron Maiden for example. What Dark Funeral does is just clone their material over and over again. There is really nothing more to say for this. Then we have the song My Funeral, which really reminds me on the perpetual horrors and The Perpetual Horrors song by Naglfar. Already before, I mentioned that the video was made for this shit, where it states that the band does not approve violence and so. Not to mention they are against paedophilia. They scream about how they hate the church and hate humanity and yet are against paedophilia because a child is a source of energy (like in the movie The Matrix) and can grow up to be a powerful Satanist. Wow… When it comes to paradox… Should be taken in consideration that the church has at least done something through the history to help to decrease humanity via inquisition and crusades. And NO! I do not support their beliefs, I piss on them. Just so idiots will not think this the wrong way. But as long as they lead the manlike vermin into perdition – I won't object. So back to Dark Funeral. By the end of the song My Funeral I almost gave up on listening any further. The riffs you can not distinguish, the constant blast-beating and annoying vocals just to please stupid idiots who think this is the pinnacle of Black Metal. This could easily be labeled as Black Metal for kids who like to scream »HAIL SATAN!« without knowing what Satan really is. The only good thing on this travesty is in the song My Latex Queer, when the song starts fading out, announcing it's end.

Thank Satan…

My final mark: 0 / 666

četrtek, 26. november 2009

CHRISTICIDE interview

http://www.spirit-of-metal.com/les%20goupes/C/Christicide/pics/logo.jpg












Greetings Scars! Please tell me when, how and why was Christicide formed?

Hails. Christicide was formed in the year 2000 in order to do what I like as human ( i.e. black metal ) and to express my personal convictions/ideologies. It seems that extreme metal was the most “logic’ way for me to materialize my thoughts, agressivity and imagination and to eventually get some results/visions/reflexion. Despite the fact Satanism, including mine, has never need metal music to exists, I think creating Christicide is really useful on a personal level. And thinking about it, I don’t think I really have the choice.

As far as I remember I’ve always wanted to create a band which can be a source of Obscurity for me and why not for the others as well. So in the end of the nineties I’ve made some riffs and lyrics,but that was not until 2000 that I was able to rehearse with our first drummer but that was a waste of time. 2 wasted years to be exact. Then Christicide was really active.











What does Christicide mean and why you choose this name?

The name/word Christicide can be interpreted in different ways of course. The basic will to become the new blasphemic anti christian barbarian band, the basic murder of christ...

Honnestly that name was chosen in the very early days of the band just because it sounded good and violent. But through the years, the meaning behind the name Christicide moved on to become a kind of symbol, at least for us. Jesus christ being the most popular symbolization of goodness and light in our western society, the murder of him in oneself mark the will to belong to an other “way of life/thinking”, to destroy the norms we were raised in and set new standards. It’s a major step in the Satanist evilution of course, but it goes far beyond the basic concept of Apostasy.





France has a great black metal scene, at least a lot of bands are coming from there nowadays. Amongst all those bands Chrsticide sounds the most unique in my opinion. How come you don’t expose the band more? There is no website, there are no gigs and practically there is no official information about the band on the web. Is there any contact where people can get more information about the band? Also are you planning any live activities?
Thank you for those words. Though I’m not sure to fully understand the first part of your question. I don’t think we haven’t exposed the band in the past, to the contrary, countless flyers of our releases, bio, interviews were widely spread in order to promote the band. It seems you haven’t been striked by those promotion tool. In the other hand, we don’t want to be overmediatized, the only result would be countless materialistic fans who only buy our releases because we are the new trend or the band of the moment with some die hard edition etc ... So yes, we don’t have any website and yes , we don’t have any myspace like every bands nowadays. I guess we would be way more exposed/wellknown if we had a myspace, that’s for sure ! Be I don’t feel it’s gratifying or useful to have 12658 virtual friends if you want my opinion. Sure it’s maybe a cool way to expose its band to a larger level, but I often think it’s too much and not very honnest. And we want to have what we deserve. No matter if in 10 years we will be considered as a 3rd rate band because we don’t have the same success than for exemple Watain, no matter if we are cult or not. The important things is to be honnest and to have fans who like your music/concept for real reasons.

However I have to say we’ve never refused to answer an interview for a zine or a webzine.


I guess our best website is the one of Metal archives... You’re constantly speaking about the web in your questions, is it the real world for humans now ??? A virtual world ? Not for me thanks. There are numerous bands who are wellknown in the extreme milieu and who don’t have any website or myspace. Those bands will recognize themselves, some have my hails.

Well, you are not very well informed, we are a live band. For the moment and due to some line up and availability problems, we didn’t played that much but we’ve already played with Celestial bloodshed, Watain , Baptism , Inkisitor, Malhkebre, etc ... And there are 2 gigs planned in the comming month : The 23rd of january 2010 in Lyon/Fra with Temple of baal and the 27th of ffebruary 2010 in Speyer/Ger with Unanimated and Ofermod. A lot more gigs will take place, be sure of that. Also an European tour with Inkisitor will probably take place at the end of the year 2010, so peoples who are interested to bring us in their hometown are encouraged to contact us or our label (O.C.S.R@web.de) . And finally, to answer the last part of your question, peoples interested in the band can contact us at the postal address available at the end of this interview.





Prior to your full length album you released two demos; Destroyed Monastery and Apex of Negativity. How were those demos received? Are there still some copies of it available?
I don’t consider Destroyed monastery as a real first release of the band. It was only noise doing by 2 drunk guys when Christicide was just a side project. And to limit it to 30 is fuking juvenile and useless. The real begining of the band is the “Apex of negativity” demo tape. That’s where I put my first efforts and convictions in my music. The demo has a great success and thanks to it we received a lot of positive reviews, several interviews and a few deal proposals for an album. Yes the demo is still available. It was first pressed to 400 copies, but this edition being sold out, we decided to do an other edition to prevent the collector thing, ebay... So yes it’s still available directly from us and in a lot of UG distribution list.








In 2007 your self titled debut was released. Tell us when were the songs written and when recorded. What label released it and where can we get a copy of it? How do you think the album was received and are you still satisfied with it in 2009?

If you have the album in a concrete version ( LP, CD or tape , not mp3 ) , then you can see in the booklet that the musics and lyrics were composed/written between the year 2003 and the year 2005 , and that everything was recorded in the year 2006. It’s clearly stated, red on black.

The album has better answer than the demo in fact. We’ve received a lot of support from the international scene: Labels, zines, distro, gig organisators or fans and we’re still surprised by this support. The bad point is the lack of touring for this album, because of the above mentionned problems of line up etc ... But considering we’re not on myspace and so on, I think the album was really well received yes. After a few years we’re still satisfied of the album and see it as a first attempt to fix our beliefs/idea on a musical support, and the result is 98% identical compared to what we had in mind. The 2% being the snare sound and the fucking drummer. This album is a bit old now, but we take it for what it is: Christicide 2006. Now it’s time to look further.











What are your lyrics dealing with? Is there a message you would like to deliver?

Christicide can (I guess) be considered as a black metal band, so the band is about the very ideological fundaments of this genre : The Devil. Thus our lyrics are inspired, focused and oriented by/toward the Devil : Father Satan.

One could see this sentence as a rather simple statement, but one into Satanism will knows that this is an endless playground for the mind and body. Having Satanism as a kind of concept for its band is something that can give you a lot of opportunity. And I don’t speak here of basical anti christians lyrics even if we are clearly not on the side of christ/YHWH. No I speak about all the reflections that can be experienced, described and spread within the Diabolic realm. So our lyrics can deal with a lot of things and in many different ways. Death , life , the after, the beyond , violence, Evil and its origins, transe, notion of divinity , eternity of the soul, Darkness , etc ... Really it’s endless. The lyrics can be fictions, personal experiences, dreams/visions, personal reflexions.... They can be the fruit of long discussions too.


What is Andematunnum?

Andematunnum is a place with some portals to the beyond. Of course we would be dead if we were in direct contact with the beyond or the Devil. But this is a place with a lot of meaning for us and where we experienced a lot on a personal level. It definitely can be considered as a source of inspiration for the band and in our life/death.











What is the cover of the album representing? Why did you choose it?

Well ... you know .. that’s the Devil. Why we used it was really a question of feeling. When I first saw this representation of the Devil I knew it would be the cover of our first album. There is calm in this picture. There is also violence and a kind of fatality, something inexorable expressed in a very sober way. Add to that it’s really elegant, that it sets aesthetical standards for the band and that it became a kind of trademark for us.






In May of 2009 we saw another release from Christicide. I am talking about the split EP you did with Cantus Bestiae. Can you tell more about it please? When was the material on the seven inch recorded and how it came about?

The story behind this split EP bring us back in 2005. Both band being friends since years, after the gig with Inkisitor we went to the Cantus bestiae’s singer’s place and we took the decision to do a split EP with their last song available. We had a common friend ( Max of Worship ) who died in 2001, so we decided to dedicate him this ep.

It tooks some times for us to compose, to record the song and to find an appropriate label to released it. Cantus bestiae being not the most subtle band in the world when it comes to sounds, we decided to record our own song in our rehearsal place to obtain a raw sound .
In 2007 we called a guy and tell him to bring his porta studio with him and we recorded the song Devil’s wonders ( Elixir from beyond ) in November 2007. This is a quite aggressive song with a raw treatment to don’t differ too much with the Cantus side. The lyrics can be considered as “abstract” to some, but clear to some others. I think they became quite obvious when you hold the cover in your hands.

The Cantus side is one of their last song with vocals on it. Despite what everybody says, it was not meant to be a track for their aborted split with Deathspell omega. I can’t tell anything about the lyrics. I have my ideas, but I’m not the one who wrote them so I don’t feel allowed to describe them properly. Their sound is as always really raw and incisive. Really cruel.

Finally in 2008 OCSR proposed us to release it. The result is 100 % satisfactory and the EP was released in may 2009 and his limited to 400. It’s available directly from the label, I think he still have some copies ...
http://img23.imageshack.us/img23/858/covervhz.png



Tell us about your way in music. Do you feel any limitation in your style, in any

conception? Do you see any possible progress, of movement forward?
I hate the refusal of Evolution. For me spiritual staganation is the death of the soul. The prinipal aim one must set himself must be honnesty toward what he do and evolution through what he believs in.The only restriction we have put ourselves is to create dark music. But Darkness being perhaps the most important and effective sensation we can feel, it’s not a restriction anymore but more an open field of discovery, so no we’re not limited. To have limitations would be only for humans ( fans, labels or ourselves ) and knowing we don’t bow down before any human even if they are rock stars or respected/appreciated peoples, it will be very hard to feel restricted. So yes I think there will be progress in some senses. I consider music as a way to describe feeling/things/events that humans words can’t. To create new sensations, atmospheres and tones that can make the mind travel in the dark is a respectable goal. I think music can really have a big impact on the mind of an individual. I really don’t consider music and Christicide as a tool of propaganda. It’s not something supposed to touch the mass but only individuals who feel closed & inspired by our music/ lyrics and the aura around the band.




Can Black metal exist outside of Satanism? What is your opinion? Can acts of Black Metal exist only in music or does its meaning manifest beyond Black Metal's music, ideology and image?

Yes I do think black metal is inherent to Satanism. But Satanism definitely don’t need black metal of course. Black metal is just a music, so of course acts of black metal only exists in music. But I think what you wanted to say was “ Can extreme Satanics acts exists only in music ... “, then the answer is obviously NO. Peoples have to make the differences between Satanism and Black metal . Black metal is just the juxtaposition of music and Satanic ideals, so it’s just a tool. So of course Satanic acts can be perpetrated outside of music and its milieu. As much as music can be created outside of Satanism.
http://www.spirit-of-metal.com/les%20goupes/C/Christicide/pics/1.jpg



Does any member of the band participate in any other project beside Christicide?

Our drummer has a thousand bands.





What are your future plans? Can we expect the follow up to your debut full length?

We are actually working on our second album and 5 songs are now almost ready. I think we will take the year 2010 to compose and to record this 2nd full lenght album and I think it will be released in 2011. Maybe earlier, maybe later.

Beside that, we will play live as often as possible. 2 gigs are already planned, and some other will come and there is also this tour with Inkisitor ...


This concludes the interview. Any last words?

Thanks. Interested peoples can contact us for info, lyrics, gigs, interview, releases/merch etc ... at :

J . Marchand

Appt 1

7 rue du grand bie
52200 Langres
- France -

Or directly with our label ( Email address above... )

A . M . S . G






Scars , on behalf of Christicide, 26th of November 2009 A.B.